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Final Report to Trebonius


To the esteemed Archmage and Guildmaster of Vvardenfell, Trebonius Artorius


This will be my final contact with you on the issue of the Disappearance of the Dwarves, a mission that you sent me on some time ago. I have spent all the energy I care to on the issue, you can give me the promotion I asked for or not, it really doesn’t matter to me anymore as I’ve found employment elsewhere. However, I do not start assignments and then not finish, so here is my final report.

The Disappearance of the Dwarves, the Dwemer’s Folly

It is common knowledge to most that care to know that between the years of 1E 688 and 1E 700, during the War of the First Council, the Dwemer race collectively disappeared from known existence. During my travels I have sought long to learn the fate and/or the whereabouts of this race, but rather than state my conclusion outright at the beginning, I shall first tell how I came to my conclusion (plus I believe the added reading will do your crazed mind some good if you can actually managed to finish reading it).

During my travels, it was not long before I came into the knowledge that there was indeed one dwarf left. I believed that visitation to this being was to be essential to my understanding, and while it was informative, the state of Yagrum Bagarn left much to be desired (not only corprus but a great loss of memory). I do however wish to note some words which he spoke to me, and I in turned noted in my jounal, as there is much information in them;

"Lord Kagrenac, the foremost arcane philosopher and magecrafter of my era, devised tools to shape mythopoeic forces, intending to transcend the limits of Dwemer mortality. However, in reviewing his formulae, some logicians argued that side effects were unpredictable, and errors might be catastrophic. I think Kagrenac might have succeeded in granting our race eternal life, with unforeseen consequences -- such as wholesale displacement to an Outer Realm. Or he may have erred, and utterly destroyed our race."--Yagrum Bagarn

It was in these words that I came to learn of these ‘mythopoeic forces’ and of the goal of the Dwemer, to transcend mortality or achieve enlightenment. But I had heard stories of this before, it was these ‘tools’ that Yagrum spoke of that truly grasped my attention. So I set out to learn more, and soon learned from records that a group formerly known as the Dissident Priests had collected much information on these tools. So I went to Holamayan, and here found just the document I wished, Kagrenac’s Tools. It was only the first paragraph of this document that interested me however, and I thus copied it;

“Beneath Red Mountain, Dwemer miners discovered a great magical stone. By diverse methods, Lord Kagrenac, High Priest and Magecrafter of the ancient Dwemer, determined that this magical stone was the heart of the god Lorkhan, cast here in the Dawn Era as a punishment for his mischief in creating the mortal world. Determined to use its divine powers to create a new god for the exclusive benefit of the Dwemer, Kagrenac forged three great enchanted artifacts, which are called "Kagrenac's Tools." Wraithguard is an enchanted gauntlet to protect its wearer from destruction when tapping the heart's power. Sunder is a enchanted hammer to strike the heart and produce the exact volume and quality of power desired. Keening is an enchanted blade that is used to flay and focus the power that rises from the heart."--Kagrenac's Tools

It was in this I learned of the Heart of Lorkhan, how the Dwemer magecrafts had come to tap its power, and the true goals of the Dwemer, the creation of a new god from the substance of a dead one. With this new knowledge, I traveled to the city of Vivec, where I hoped to find more knowledge on this subject. Upon ‘convincing’ a guard to let me in, I made my way into the ‘Secret Library’ of Vivec. Here found another of my sources, the words of Vivec (the now departed god of the Dunmer), The Battle of Red Mountian. This document not only confirmed the Dissident Priests words that the Dwemer were creating a new god, but that at the time of the War of the First Council, they had already began work on it. It also provided me with a key bit of text;

“There, Nerevar the Chimer King met Dumac the Dwarf King and they both collapsed from grievous wounds and draining magics. With Dumac fallen, and threatened by Dagoth Ur and others, Kagrenac turned his tools upon the Heart, and Nerevar said he saw Kagrenac and all his Dwemer companions at once disappear from the world. In that instant, Dwemer everywhere disappeared without a trace.”--The Battle of Red Mountian

So, the Dwemer had disappeared when they had struck the Heart of Lorkhan with these tools that Kagrenac had devised. So I now knew the plans of the Dwemer as well as a small bit about how they came to disappear. But this alone left too much open for debate, so I had to search further. Upon inquiry of Dwemer Scholars in the area, I was directed to the small town of Gnisis, to a Telvanni Dunmer known as Baladas Demnevanni. This man was hard to convince, but he eventually gave me much priceless information, which I in turn noted;

“It was unfashionable among the Dwemer to view their spirits as synthetic constructs three, four, or forty creational gradients below the divine. During the Dawn Era they researched the death of the Earth Bones, what we call now the laws of nature, dissecting the process of the sacred willing itself into the profane. I believe their mechanists and tonal architects discovered systematic regression techniques to perform the reverse -- that is, to create the sacred from the deaths of the profane.

As the Dwemer left no corpses or traces of conflict behind, I believe that generations of ritualistic 'anti-creations' resulted in their immediate, but foreseen removal from the Mundus. They retreated behind math, behind color, behind the active principle itself. That the Dwemer vanished during a conflict with Nerevar and the Tribunal is merely coincidence.”--Baladas Demnevanni

This was quite intriguing, and I was thus brought into the idea of ‘creational gradients’ and ‘Earth Bones’. Upon further inquiry into the nature of these ‘Earthbones’, Demnevanni told me that; “As the books and other artifacts in Dwemer ruins rarely show signs of wear or age, I believe that the Dwemer knew of a preservative effect, perhaps a device still active which denies or controls the Earth Bones governing time and decay.” Upon even further inquiry on ‘Earth Bones’ and ‘creational gradients’ he only said that he hadn’t the time, but instead directed me to Altmeri Priests or the teachings of Vivec, which he vaguely remembered as having some mention of them.

So with this I went on faith and left the man alone in search of some Altmeri Priest, however, I soon came to find that there were no Altmeri Priests on Vvardenfell, but there were some records of their beliefs. Thus I came across The Monomyth, which towards the end gave a summary of the Altmeri beliefs. Indeed, it did note the Earth Bones, saying that some of the beings which created our world had to sacrifice themselves to the world and become these Ehlnofey, Earthbones, or laws of nature as Demnevanni had called them. So Demnevanni believed that the Dwemer could manipulate these parts of the creators, these Earthbones. On top of this I new that they had access to the Heart of Lorkhan and had worked on making a new god, but how did it all tie into together. But as the Monomyth mentioned no ‘creational gradients’, I now began searching for information on these as well as the ‘anti-creations’ which Demnevanni had mentioned, following his advise in looking for Vivec’s teachings. Oddly enough, my searching took me to one Hasphat Antabolis, who had come across Vivec years earlier. After buttering him up abit, he wrote his knowledge from this encounter down for me in a journal he entitled Vehk’s Teachings. I now note some of the most relevant parts of this journal;

What is the rim of the Wheel?
As the process of subcreation continued, both Anu and Padhome awakened. For to see your antithesis is to finally awaken. Each gave birth to their souls, Auriel and Sithis, and these souls regarded the Aurbis each in their own part, and from this came the etada, the original patterns. These etada eventually congealed.

Anu’s firstborn, for he mostly desired order, was time, anon Akatosh. Padhome’s firstborn went wandering from the start, changing as he went, and wanted no name but was branded with Lorkhan. As time allowed more and more patterns to individualize, Lorkhan watched the Aurbis shape itself and grew equally delighted and tired with each new shaping. As the gods and demons of the Aurbis erupted, the get of Padhome tried to leave it all behind for he wanted all of it and none of it all at once. It was then that he came to the border of the Aurbis.

He saw the Tower, for a circle turned sideways is an “I”. This was the first word of Lorkhan and he would never, ever forget it."--Vehk's Teachings

This gave me some knowledge on creation and subcreation, which I also believed to be vital in knowing before understanding ‘creational gradients’ or ‘anti-creations’. There was of course more information provided by this document, but I will not quote it all directly here, but rather simply reference it as I have provided a copy of the document (and all my used documents actually) attached to this letter.  Anyway, to sum it up, Lorkhan continued this act of subcreation, convincing other spirits (similarly to the Altmeri beliefs) to create the Mundus (or the hub of Vehk’s ‘wheel’). It also mentions the Earth Bones, but not by name, simply saying that “The spokes of the Wheel are the eight gifts of the Aedra, sons and daughters of Aetherius… The center of the Wheel was another circle, the hub, which held everything together. The etada called this Mundus.” In this I learned that the subcreations and related them to the ‘creational gradients’ of Demnevanni. I also managed to draw a connection between these ‘subcreations’ of Vehk’s teachings and the ‘souls’ of the Altmeri “Heart of the World”.

So, the original Altmeri force, Anu, created its soul, Anuiel. This soul then was combined with Sithis to form the Aurbis, where its various forms could ponder the whole. But then one of these various forms, these Aspects of Aurbis, after the addition of time to stabilize them, then wanted to create a place for its own aspect to reflect on him, this was Lorkhan. He wanted to create a soul of the Aurbis, which was in the Auriel, who was in turn the soul of Anuiel, who was in turn the soul of Anu. I believe that this has something to do with the “I” that the Teachings refer to Lorkhan seeing.

It is this that I related to the subcreations of Vehk’s Teachings and how Lorkhan made the Mundus. You see, he designed it in a way to copy the Aurbis, but instead of creating it only within himself as Anuiel had, he instead contracted the help of various others which resulted in the Mundus. This related back to the Earth Bones in that of these ‘various others’, the Aedra, some would be forced to sacrifice parts of themselves to stabilize the Mundus, and Lorkhan would have to sacrifice his entirety to it (though perhaps unwillingly).

So now I knew what these ‘creational gradients’ where, I believe a creational gradient to be formed each time one of these ‘souls within a soul’ was created. And I knew what the Earthbones where. Now I just had to tie all of this into the plans of the Dwemer, but how to do it. Baladas had said that the Dwemer disliked being so any number of creational gradients below the divine, so they sought reverse these creational gradients through this ‘anti-creation’, “to create the sacred from the deaths of the profane.” Now, all of this was quite compelling, what more was there to be said, the Dwemer tried to go ‘anti-create’ their way back to the divine. But I knew that the words of one Dunmer scholar alone would not convince, and I still didn’t know how the Dwemer planned on going about this or what it had to do with their new god, which I later learned to be called Numidium. I only knew that they used the Earthbones and Heart of Lorkhan, but that was it. So I traveled again, to the largest housing of knowledge I could think of that might help me learn of this, the Imperial Library of Cyrodiil.

In the Imperial Library I found just the documents I would need. The first was an obscure document which the Library came across randomly and kept around as it was interesting to passing scholars. This document they called the “Loveletter from the Fifth Era” and indeed the date marked in the headings did date the Fifth Era, 5E911 to be exact. This source stated that “all creation is subgradient”, and gave numerous examples of this. Another thing of note to this particular topic was the following quote;

“You in the Fourth Era have already witnessed many of the attempts at reaching the final subgradient of all AE, that state that exists beyond mortal death. The Numidium. The Endeavor. The Prolix Tower. CHIM. The Enantiomorph. The Scarab that Transforms into the New Man… Those who do not fail become the New Men: an individual beyond all AE, unerased and all-being. Jumping beyond the last bridge of all existence is the Last Existence, The Eternal I.”--The Loveletter from the Fifth Era

This was interesting for its stating that this “final subgradient” was this reaching of “The Eternal I”. It had also said that the Numidium was an attempt at reaching this. This “Eternal I” I could not help but relate back to “Vehk’s Teachings” in which he had said that the “I” is the Tower, and states farther that;

“At its simplest, the state of chim provides an escape from all known laws of the divine worlds and the corruptions of the black sea of Oblivion. It is a return to the first brush of Anu-Padomay, where stasis and change created possibility. Moreso, it the essence needed to hold that 'dawning' together without disaster. One that knows CHIM observes the Tower without fear. Moreso: he resides within.”

So the Dwemer where trying to reach this “Eternal I” through the use of the Numidium, or so this Loveletter stated. But what did this “Eternal I” have to do with Demnevanni’s ‘anti-creations’. Well, the answer to that I found also in the Loveletter, where it stated that “All creation is subgradient. First was Void, which became split by AE. Anu and Padomay came next and with their first brush came the Aurbis.” So the first brush of Anu-Padomay that Vehk had referenced was the Aurbis. So the Dwemer where trying to return to the first state of the gods, the god where first the aspects of Anuiel in the Aurbis before Lorkhan had convinced them to create the Mundus, or so said the Altmeri creation myth. This now made sense, as ‘anti-creation’ would take them back to the Aurbis, reversing what Lorkhan had done.

But now, how where they planning on going about this, that is where my second document that I found at the Imperial Library comes in. The second was a compendium of various interviews placed into journal format by one who called himself “Skeleton Man”. There was one particular interview of this “Skeleton Man” that interested my knowledge, and I noted it in my own journal;

Xal, a Human Maruhkati, Port Telvanis:
Ah. I will tell you the truth, because you will believe none of it. The Brass God is Anumidum, the Prime Gestalt. He is also called the divine skin. He was meant to be used many times by our kind to transcend the Gray Maybe.
The first to see him was the Shop Foremer, Kagrenac of Vvardenfell, the wisest of the tonal architects [Mechanists - MN] Do not think as others do that Kagrenac created the Anumidum for petty motivations, such as a refutation of the gods. Kagrenac was devoted to his people, and the Dwarves, despite what you may have read, were a pious lot-he would not have sacrificed so many of their golden souls to create Anumidum's metal body if it were all in the name of grand theater. Kagrenac had even built the tools needed to construct a Mantella, the Crux of Transcendence. But, by then, and for a long time coming, the Doom of the Dwarves marched upon the Mountain and they were removed from this world.
--Skeleton Man's Interview

So the Brass God would be used as a divine skin and the souls of the Dwemer would be used to create it. So that is why they disappeared, because they sacrificed their souls to make their Brass God which they would use to return to the “first brush of Anu-Padomay,” and basically be, ‘anti-created’. But why would they think that they had to all become one with this Brass God in order to do this, well the answer was right there in front of me. As the Altmeri creation myth states, the Mundus was created as a place where the aspects of the Aspects could reflect on themselves. So to return to the state of the original Aspects of Aurbis, the aspects of Mundus would need to be forced back together into their former shape, or something close to this. So the Dwemer with this in mind, began the creation of the body of their god, the would be Aspect of Aurbis, with the Heart of the World, the Heart of Lorkhan, as its heart and main power supply. They then planned on combining their entire race with this god in order to anti-create their way back to the Aurbis, their many aspects as Dwemer would be reverted back into godly form as one singular Aspect.

Now Xal states that the souls became Anumidum’s metal body, but you ask, why would they do this. Well, this is where the Earthbones that Demnevanni spoke of come into play. Dwemeri metal was no ordinary metal, as Baladas stated, it could defeat time and decay. The Dwemeri souls would become immortal in this state, and at the same time become one to form their god. Kagrenac hit the Heart with the tools during the Battle of Red Mountian and caused this to happen, and the Dwemer disappeared, just as he had intended for them to. But why did the Brass God stay, why wasn’t it activated as a god once the Dwemer became one with it. That I do not yet know. Perhaps it was the Tribunal there that stopped this from occurring, disconnecting the god before it could leave. Perhaps Kagrenac simply didn’t see far enough ahead and just binding all the Dwemeri souls together to form a god wasn’t enough, perhaps reaching this “Eternal I” is more of a personal venture than a collective one as the Dwemer believed. Perhaps it even failed because all of the Dwemeri souls where not sacrificed, there is still one left afterall.

But that is different question than the one you sent me to answer, you told me to find out why they disappeared, and I have. Perhaps I'll return to the question later, but as for now as my exhausting research is over.

Signed and sealed,
Luagar Anulam, Herald of the Triune Way

Attatched Documents:
--Kagrenac's Tools
--The Battle of Red Mountian
--The Monomyth
--Vehk's Teachings
--The Loveletter from the Fifth Era
--Skeleton Man's Interview




I said once that I might return to the question of the Dwemer, and thus I am here. I concluded before that the sacrifice of the Dwemer's souls in creation of the Anumdium was the direct cause of their disappearance, and while I do not wish here to amend the general thesis of my previous letter regarding the goals of the Dwemer, I have come to believe that my statement regarding the immediate cause of their disappearance was hastily made. Allow me to explain, 

It was the words of Xal the Marukhati which formed the crux of my previous letter, and so it is again to him that we turn: 

"The Brass God is Anumidum, the Prime Gestalt. He is also called the divine skin. He was meant to be used many times by our kind to transcend the Gray Maybe... This Warp is but a realization of the trap that is the Gray maybe, and that champion of release, the Brass God, has but reminded us again what the failure of his misuse means in the Arena Mundus."--Xal

While this may appear simply a restatement of what has been already concluded, you may notice that the statement "he was meant to be used many times by our kind" goes unaccounted for in my previous letter, to great folly, and the reason is simple; if the divine skin was meant to be used many times, to be a 'champion of release', it is only natural that the Anumidium would not have disappeared following it's use by the Dwemer. This answers the question of "why did the Brass God stay."

But if the Brass God was not meant to leave, how is it that the Dwemer expected to ascend as one? I turn again to words which in my haste I failed to analyze thoroughly enough, this time those of Baladas Demnevani: 

“I believe their mechanists and tonal architects discovered systematic regression techniques to perform the reverse -- that is, to create the sacred from the deaths of the profane.--Baladas Demnevanni

There is a key word to draw from this, and that word is 'systematic'. Just as the et'ada did not jump directly to the subgradient of Mundus, neither did the Dwemer intend to make their jump back all at once. To put it simply, when Kagrenac struck the Heart during the Battle of Red Mountain this was not the first time he had done so, nor was it this specific striking that bound the souls of the Dwemer to the Brass God. The Dwemer were bound to the Brass God long before the war, as I note here:

"House Dagoth had discovered the source of the profane and secret power of the Dwemer: the legendary Heart of Lorkhan, which Dumac's people had used to make themselves immortal and beyond the measure of the gods..." --Nerevar at Red Mountain

Notice the key words here: the Dwemer 'had used', it was done already, a fact stated again elsewhere:

"And Nerevar summoned Azura again, and she showed them how to use the tools to separate the power of the Heart from the Dwemer people. And on the fields, the Tribunal and their armies watched as the Dwemer turned into dust all around them as their stolen immortality was taken away." --Nerevar at Red Mountain

As noted, the Dwemer were already bound, they had to be separated from the Heart. But what is the significance of this? It is twofold. On the first, it is in part an explanation what Denmevani described as 'systematic regression'; the Dwemer were working their way back up the ladder, and an immortality (comparable to what Dagoth Ur would devise later) was the first step.

On the second, it means perhaps sacrificing their souls isn't what destroyed their bodies. Afterall, if the Dwemer were already immortal, and if the Numidium was already near completion one would assume that it already had its body, the body of the Dwemeri souls. The Dwemer souls had already been bound to create the body of the Brass God, the divine skin. For a final note we must turn to the most obscured of sources, The Sermons of Vivec, which refers to the Numidium as 'a walking star':

"Each of the aspects of the ALMSIVI then rose up together, combining as one, and showed the world the sixth path. Ayem took from the star its fire, Seht took from it its mystery, and Vehk took from it its feet, which had been constructed before the gift of Molag Bal and destroyed in the manner of truth: by a great hammering. When the soul of the Dwemer could walk no more, they were removed from this world."--Sermon 36

For those familiar with the Sermons you might recall that 'the gift of Molag Bal' was the syllable CHIM, which corroborates the conclusions of the previous letter regarding to the goal of the Dwemer (for those who feel that texts found outside the province of Morrowind have no hold on the happenings inside), but that point is not why I cite the sermon. Rather, I cite it to note the way in which the godking Vivec refers to the Brass God, specifically as 'the soul of the Dwemer'. The Dwemer had already sacrificed their souls to create an 'oversoul' in the Anumidium (what one might call a 'divine skin' in the likeness of brass); it is with the deactivation of the golem, the destruction of their collective soul, that they are removed.

And so we have come to observe many things, but at more questions remain unanswered. Again, how were the Dwemer expected to ascend as one, and how were we meant to follow them, how was the divine skin "meant to be used many times by our kind."

In answer, take note of what has been said. While the Dwemer remained many individuals, they were bound as one soul to the Brass God; the Dwemer were many, but their soul was one. Their souls were one as the divine skin, and yet the Brass God itself was not meant to depart, but be used many times. How can this be? I believe the answer one of two: either the Dwemer planned on systematically uniting the whole of Nirn into the Brass God, or the golem is simply a mold; that is, a mold around which to form a divine skin, one which is meant to be used time and again. The Dwemer's disappearance was planned in one way or another, but others were meant to follow in their footsteps.

And yet there is still one question. The Dwemer may have planned to disappear, but did they meant to disappear just then? They were bound as one soul already at the time of the Battle, but did that soul, that divine skin around the mold of the Numidium ascend; or was it disrupted by the Tribunal? There are two accounts, one in which Kagrenac causes the Disappearance (The Battle of Red Mountain), one in which the Tribunal do (Nerevar at Red Mountain). But which is correct? Did Kagrenac unite them finally into the mold needed to ascend, did their disappearance mark their success? Or did the Tribunal successfully separate the Dwemer from the Heart, so that their disappearance marks their failure. Either way their souls sat as the oversoul of the Brass God, either way their goal was The Eternal I, but who hit the Heart at Red Mountain? Kagrenac or the Tribunal? Did they succeed or fail?

This, I think, is the final mystery of the Dwemer (at so far as regards their disappearance). Who hit the Heart. Disappearance was the goal, but without knowing who struck the Heart it we cannot say whether they disappeared into ascension or into merely dust, and even if it was Kagrenac who struck the Heart there is still the question of whether he succeeded - afterall there is still one Dwemer left.


Signed and sealed,


Luagar Anulam


Loveletter From the Fifth Era, The True Purpose of Tamriel

Michael Kirkbride

Hello, everyone. While visiting the demons of the Haight last night, I was handed the document that follows. I was drunk, so I cannot describe the courier, but I can verify that it is, indeed, from the Fifth Era (!) of Tamriel from an author unknown to me, even in visions.

It will be of interest to many lore scholars here; indeed, since it concerns Vivec’s “Scripture of Love” it was very much of interest to me.



Ald Sotha Below, 5E911
House Sul Progenitor House, duly noted under the digital house,
Whirling School Prefect Approved
Chronocule Delivery: souljewel count: 78888-00-00-00-000

My name is Jubal-lun-Sul, of House Sul, whose name is known and heard throughout the Scathing Bay and the Nine times Nine Thrones. Our lord is High Alma Jaroon, of House Jaroon, whose city is the First City of the New North, where all who Went Under from Landfall settled and made peace with the Worm, when we were not Eighty and One separate peoples but One, carrying the tibrols on our back together and cutting tunnels by the light and heat that all mer wore, with equal dust in every mouth. My family’s name comes from the first child born in the Velothiid, Haeko-dol-Sul, and, like him, we are salt merchants. Our crest is the tusk of the bat-tiger. Our bloodline is registered by C0DA.

The Digitals say we come from another star, but so many have forgotten. I have not, for my lineage granted me audience with Memory, and I have spoken with the Wheels of Lull. I have seen proof, as any who come Up during Landfall Season, when the winds die down enough Above that all may make pilgrimage under the banner of Vehk and Vehk. Though many Above have renounced Memory, they too remember.


I tell you now, brothers and sisters of the coming 4th, that the holy Scripture of Love contains all you need to avoid the perils of the Landfall. By chronocules granted by the ‘neers of Lull, this warning is given freely and by Love. Sermon 35 begins properly:

“The formulas of proper Velothi magic continue in ancient tradition, but that virility is dead, by which I mean at least replaced. Truth owes its medicinal nature to the establishment of the myth of justice. Its curative properties it likewise owes to the concept of sacrifice. Princes, chiefs, and angels all subscribe to the same notion. This is a view primarily based on a prolific abolition of an implied profanity, seen in ceremonies, knife fighting, hunting, and the exploration of the poetic. On the ritual of occasions, which comes to us from the days of the cave glow, I can say nothing more than to loosen your equation of moods to lunar currency.”

The C0DA broke when Twice Vehk appeared again from Aether, but they captured enough of Him to render the words stable again. In this passage, He describes the goal of the Lunar God, who some of you still ascribe the name “Lorkhan”. When stabilized, the words become proof:

All creation is subgradient. First was Void, which became split by AE. Anu and Padomay came next and with their first brush came the Aurbis.

Void to Aurbis: naught to pattern.

“Later, and by that I mean much, much later, my reign will be seen as an act of the highest love, which is a return from the astral destiny and the marriages between. By that I mean the catastrophes, which will come from all five corners. Subsequent are the revisions, differentiated between hope and the distraught, situations that are only required by the periodic death of the immutable. Cosmic time is repeated: I wrote of this in an earlier life. An imitation of submersion is love's premonition, its folly into the underworld, by which I mean the day you will read about outside of yourself in an age of gold. For on that day, which is a shadow of the sacrificial concept, all history is obliged to see me for what you are: in love with evil.”

The marriages of the Aether describe the birth of all magic. Like a pregnant [untranslatable], the Aurbis exploded with its surplus. Will formed and, with it, the Potential to Action. This is the advent of the first Digitals: mantellian, mnemolia, the aetherial realm of the etada. The Head of this order is Magnus, but he is not its Ward, for even he was subcreated by the birth of Akatosh.

Aurbis to Aetherius: possibility to maintenance by time.

“To keep one's powers intact at such a stage is to allow for the existence of what can only be called a continual spirit. Make of your love a defense against the horizon. Pure existence is only granted to the holy, which comes in a myriad of forms, half of them frightening and the other half divided into equal parts purposeless and assured. Late is the lover that comes to this by any other walking way than the fifth, which is the number of the limit of this world. The lover is the highest country and a series of beliefs. He is the sacred city bereft of a double. The uncultivated land of monsters is the rule. This is clearly attested by ANU and his double, which love knows never really happened.”

Lull calls this a refutation of sorts, but the wise may know it as the first appearance of Nu-Mantia, which is Liberty. Rather, the road to Liberty.

Another subcreation happened to the wheels of the etada, a shore that all of creation crashed against, the terminus of limits known as Oblivion. An echo of the Void before but unalike, many spirits fled here and came to power by merely harnessing the impossibility of Limit+All.

Aetherius to Oblivion: creation to destruction.

“Similarly, all the other symbols of absolute reality are ancient ideas ready for their graves, or at least the essence of such. This scripture is directly ordered by the codes of Mephala, the origin of sex and murder, defeated only by those who take up those ideas without my intervention. The religious elite is not a tendency or a correlation. They are dogma complemented by the influence of the untrustworthy sea and the governance of the stars, dominated at the center by the sword, which is nothing without a victim to cleave unto. This is the love of God and he would show you more: predatory but at the same time instrumental to the will of critical harvest, a scenario by which one becomes as he is, of male and female, the magic hermaphrodite.”

We begin to see the first inkling of emergence, which by its nature requires the merging of two-fold powers. Inevitably, this leads to another gradient, but this time by forceful process: the Trap of the Lunar God. The Aedra are Named at this time, having lent their hands to what was to be the arena of the eternally impossible: Mundus, or Exactness.

Oblivion to Mundus: debris of all possibility to anchor of all things.

“Mark the norms of violence and it barely registers, suspended as it is by treaties written between the original spirits.”

When one visits Memory, you become filled with the first ideas of the Lunar God, and see the trap within the trap. Vehk knows it at this point, and sees for all of you, and realizes the need for treaty: avenue of escape, first stone.

C0DA translation: if all previous gradients continue along this path, especially given that there is now a centerpoint, impossible Mundus, the process of continuation can be pre-figured.

The echo of the Void is Oblivion. The echo of Oblivion is now mortal death. Death results in reappropriation of spirit towards its aligned AE—either to the god-planet Aedra or the Principalities of Oblivion. Vehk’s name for this transaction, mentioned above, is “lunar currency”.


Mundus to Mortal Death: centerpoint to the soon recycled.

“This should be seen as an opportunity, and in no way tedious, though some will give up for it is easier to kiss the lover than become one.”

Here we come to the Scripture’s greatest resignation: to imagine the subcreation AFTER mortal death, which by pattern would mean an echo of Mundus, and through this imagining, the failures of so many.

The Digitals' record of the Lunar God’s involvement in all of this is called the Great Pain: “The Lunar God failed by his own devices, to show the new progeny how they might not.”

You in the Fourth Era have already witnessed many of the attempts at reaching the final subgradient of all AE, that state that exists beyond mortal death. The Numidium. The Endeavor. The Prolix Tower. CHIM. The Enantiomorph. The Scarab that Transforms into the New Man.

Simply put, as the Gods cannot know joy as mortals, their creation, so mortals may only understand the joy of Liberty by becoming the progenitors of the models that can make the jump past mortal death.

And so many of you give up.

Mortal Death to Z (Z being the state-gradient echo of Mundus Centerex): antinymic to [untranslatable].

“The lower regions crawl with these souls, caves of shallow treasures, meeting in places to testify by way of extension, when love is only satisfied by a considerable (incalculable) effort.”

Those who do not fail become the New Men: an individual beyond all AE, unerased and all-being. Jumping beyond the last bridge of all existence is the Last Existence, The Eternal I.


A whole World of You.


God outside of all else but his own free consciousness, hallucinating for eternity and falling into love: I AM AND I ARE ALL WE.

C0DA Digitals have confirmed that a subject in sensory deprivation begins to hallucinate after only twenty minutes. Scale unto this along the magical spectrum and maintenance of time, which is forever, and you begin to see the Lunar God’s failure as Greatest Gift. As above, “This is the love of God.”

Why Love?

Know Love to avoid the Landfall, my brothers and sisters of the past.

The New Man becomes God becomes Amaranth, everlasting hypnogogic. Hallucinations become lucid under His eye and therefore, like all parents of their children, the Amaranth cherishes and adores all that is come from Him.


God is Love.


God is Love.


God is Love.



And that is how the message ended. Do with it what you will and freely discuss. I know what I am doing with it, but then, I’ve been trying and trying for years. “Considerable effort”, indeed.

And perhaps it is no accident that this falls on 9/11. Love to its Memory. And my love to Kurt Kuhlmann, whose birthday was destroyed by the will of critical harvest.